Bloom’s comments to himself on the impropriety of wearing a summer suit to Dignam’s funeral echoes Stephen’s thought about the inappropriateness of wearing a gray suit in Telemachus (or his unwillingness to do so). The sight of the bread van prompts a further comment about warmth: hot loaves and turnovers. The narrator’s observation of Boland’s bread van shows how the narrator and Bloom often push up against each other: doesn’t it seem like they’re mixing into each other a bit in that central text box?
There’s a little bit of mixing between the Dublin street scene and an Eastern landscape too, in the bottom half of the page. We’re starting to slip into a fantasy of the Orient, reminiscent of both Molly’s origins in Gibraltar and Bloom’s imagined and cultural background as a Jew. Rob uses a profile shot of Bloom here and on the next page, similar to profile shots used at the Martello tower as Stephen looks out over the sea in Telemachus.
We could say that if the top of the page is the cardinal direction north, then Bloom really is facing east. The word “east” comes from a Germanic word meaning “dawn,” which recalls our title card and time of day; but it also draws us into Bloom’s fantasy of the East, continued on the next page–kind of neat his face is turned in the direction of that next page, too.