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	<title>Comments on: The Siren Call of Song</title>
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	<link>http://ulyssesseen.com/landing/2009/12/the-siren-call-of-song/</link>
	<description>Online graphic adaptation of the 1922 edition of James Joyce&#039;s ULYSSES</description>
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		<title>By: Josh</title>
		<link>http://ulyssesseen.com/landing/2009/12/the-siren-call-of-song/comment-page-1/#comment-1594</link>
		<dc:creator>Josh</dc:creator>
		<pubDate>Sun, 20 Dec 2009 18:11:24 +0000</pubDate>
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		<description>I think Mike&#039;s point about the temptation to stop Boylan is a good one. 

I&#039;ll also throw this idea in: If Odysseus&#039; (Bloom&#039;s) objective is to get home to banish Penelope&#039;s suitors (Boylan), the music, the food and drink (provided by Bronze and Gold), the warm atmosphere, and the letter to Martha Clifford are the sirens&#039; song.</description>
		<content:encoded><![CDATA[<p>I think Mike&#8217;s point about the temptation to stop Boylan is a good one. </p>
<p>I&#8217;ll also throw this idea in: If Odysseus&#8217; (Bloom&#8217;s) objective is to get home to banish Penelope&#8217;s suitors (Boylan), the music, the food and drink (provided by Bronze and Gold), the warm atmosphere, and the letter to Martha Clifford are the sirens&#8217; song.</p>
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		<title>By: Mike</title>
		<link>http://ulyssesseen.com/landing/2009/12/the-siren-call-of-song/comment-page-1/#comment-1591</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Sun, 20 Dec 2009 04:13:16 +0000</pubDate>
		<guid isPermaLink="false">http://ulyssesseen.com/landing/?p=2735#comment-1591</guid>
		<description>...this is sort of a backwards way to read the book, but in the case of &quot;Sirens&quot; I often ask myself--if Bloom is Odysseus, what temptation is calling out to him? What does he have to be lashed to the mast to resist?  I suppose the barmaids themselves are sirens on some level, but I also think that Boylan&#039;s presence is a kind of temptation.  Bloom knows that Boylan&#039;s next stop after the hotel bar is the assignation with Molly. He could do something, he could interfere, but he chooses not to--partly because he knows there&#039;s nothing he can do, of course.  I&#039;ve also always thought it was funny that Bloom chooses this moment to write back to Martha Clifford--he has many other opportunities, but chooses to write her when he&#039;s having lunch with Richie Goulding. It&#039;s as if he wants to be caught...</description>
		<content:encoded><![CDATA[<p>&#8230;this is sort of a backwards way to read the book, but in the case of &#8220;Sirens&#8221; I often ask myself&#8211;if Bloom is Odysseus, what temptation is calling out to him? What does he have to be lashed to the mast to resist?  I suppose the barmaids themselves are sirens on some level, but I also think that Boylan&#8217;s presence is a kind of temptation.  Bloom knows that Boylan&#8217;s next stop after the hotel bar is the assignation with Molly. He could do something, he could interfere, but he chooses not to&#8211;partly because he knows there&#8217;s nothing he can do, of course.  I&#8217;ve also always thought it was funny that Bloom chooses this moment to write back to Martha Clifford&#8211;he has many other opportunities, but chooses to write her when he&#8217;s having lunch with Richie Goulding. It&#8217;s as if he wants to be caught&#8230;</p>
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		<title>By: Josh</title>
		<link>http://ulyssesseen.com/landing/2009/12/the-siren-call-of-song/comment-page-1/#comment-1500</link>
		<dc:creator>Josh</dc:creator>
		<pubDate>Fri, 11 Dec 2009 16:44:07 +0000</pubDate>
		<guid isPermaLink="false">http://ulyssesseen.com/landing/?p=2735#comment-1500</guid>
		<description>&quot;Sirens&quot; does read differently. As with most pieces of music, it has verses refrains. In some cases, Joyce varies the refrain each time it comes around - which leads me to Boylan. Bloom knows that Boylan is on his way to his (Bloom&#039;s) house as he is sitting in the Ormond, and Boylan does in fact arrive (in more than one sense) during this chapter. With a cock carra carra...</description>
		<content:encoded><![CDATA[<p>&#8220;Sirens&#8221; does read differently. As with most pieces of music, it has verses refrains. In some cases, Joyce varies the refrain each time it comes around &#8211; which leads me to Boylan. Bloom knows that Boylan is on his way to his (Bloom&#8217;s) house as he is sitting in the Ormond, and Boylan does in fact arrive (in more than one sense) during this chapter. With a cock carra carra&#8230;</p>
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