Archive for December, 2009

Telemachus 0047

Friday, December 4th, 2009
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Mulligan’s friendly condescension in the first part of this chapter has now turned into something a little darker. “You have eaten all we left, I suppose,” a comment directed at Stephen, is basically insulting. Stephen is the last to leave the tower, and he has the key. He’s being treated like the help, like unreliable help, the “server of a servant” again.

For the sake of clarity we left a line out here — after the “You have eaten” line, Mulligan says “And going forth he met Butterly.” It’s yet another instance of Mulligan using scripture for a (rather elliptical) joke. It’s based on a passage in the passion of the Gospel of Matthew where the apostle Peter realizes that he has betrayed Jesus three times over the course of one night, as Jesus had predicted he would. The original passage is: “And going forth he wept bitterly.” Mulligan’s quote puts him, curiously, in the place of Peter, whereas before he was Jesus. There is no other mention of a Butterly in the book, by the way.

Finally, keep an eye on the key. It’s a symbol of ownership, property, and power.

Oh and one more thing — Rob, is it time to say something about the “Latin Quarter Hat”?

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Wandering Rocks (A Little Light Relief)

Friday, December 4th, 2009

Ulysses_OldDublinIn a list of “most difficult chapters to read” this one would rank thankfully low – so low that it was even enjoyable. I certainly appreciated the break. This chapter consists of many smaller episodes all interlinked with each other and with the other events in the book, but most easy enough to understand the basics of what and where. That’s not to say the meaning is easy to get at but still the relief from all that stream of consciousness from one point of view is genuine.

Oddly, even though this seems once more all about structure, here I got a real sense of what Joyce’s writing may be like if he did just write straight-forward prose. Y’know, like anyone else! Without the constant drone of allusion and the layers of puzzle it might at least have been a quarter of the length. I know though, that that is not the point. I just couldn’t help saying it anyway. (more…)

“Seen” in Context (iv)

Wednesday, December 2nd, 2009

Ulysses_BatmanLast time in “Seen” in Context I pondered the love and the money behind what we currently think of as webcomics. I’ve argued before and elsewhere the merits or lack thereof of even calling them webcomics because of the negative associations that word has, so I won’t go into that too much here. Though you might have noticed we occasionally use an alternative spelling (webcomix) to imply I suppose a more independently minded and mature audience. I accept that, even if it still draws more associations with The Fabulous Furry Freak Brothers than it might with Asterios Polyp.

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Telemachus 0046

Wednesday, December 2nd, 2009
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Mulligan’s regret over his obsequious behavior to Haines is quickly forgotten.  A minute ago, he said he would join Stephen in surly revolt against their guest’s acquisitive interest in all things Irish, but now he dons a “rebellious” collar, tie, and watch chain, and goes out to join his guest. [The backwards text is meant to suggest Mulligan muttering as he rummages through his clothes.]

Mulligan’s line “do I contradict myself?” is a quotation from Walt Whitman’sSong of Myself.”  Whitman was a highly controversial figure in the English-speaking world at the turn of the century.   None other than Bram Stoker, the author of Dracula, spoke out as an undergraduate at Trinity College, Dublin, on the virtue of Whitman’s work.  Whitman was a very important figure to Stoker, though whether or not Whitman is a presence in Stoker’s most famous work is a matter for conjecture.

Oscar Wilde knew Stoker as well… Stoker occasionally attended salons at Sir William Wilde’s house, where he met his future wife, Florence Balcombe. Ms. Balcombe was Oscar Wilde’s first love.. he never quite got over her. But I mention Oscar only because Mulligan’s reference to “puce gloves and green boots” evokes Wilde’s aesthetic tastes.

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